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Chalo Correia is a talented singer-songwriter born in Luanda, in 1968. He lived his childhood in the most intense and blazing music period of Angola (the 70s): when musicians were fighting for independence without guns, reinventing the Angolan sound in order to re-establish their identity.
In the beginning of the 90s Chalo moved to Portugal, where he practiced guitar and harmonica on a self-taugtht system. Far away from his country, music was the only way to connect to his roots so he started to create original songs based on traditional and urban music styles of Angola and early childhood memories.
For the last 20 years, his music got trough a long maturation process, being played with different band sets in many clubs, festivals, embassy ceremonies till he decides to record his debut album named “Kudihohola” in 2015, issued by Celeste/Mariposa Discos.
Chalo is a very versatile musician. It is possible to find him with his 5 piece explosive band touring around Europe, or mixing a Portuguese guitar from the traditional Fado with Angolan music in his trio project, or even on a tireless one man show, playing traditional Angolan guitar chords handled by syncopate and percussive complex rhythms, such as Semba – the precursor of Brazilian Samba – among other traditional urban Angolan styles like Massemba, Kilapanga, Rumba, Kazucuta, Kabetula and Rebita.
Celeste/Mariposa Discos
Celeste/Mariposa Discos
Chalo Correia is a talented singer-songwriter born in Luanda, in 1968. He lived his childhood in the most intense and blazing music period of Angola (the 70s): when musicians were fighting for independence without guns, reinventing the Angolan sound in order to re-establish their identity.
For the last 20 years, his music got through a long maturation process, being played with different band sets in many clubs, festivals, embassy ceremonies till he decides to record his debut album named “Kudihohola” in 2015, issued by Celeste/Mariposa Discos.
Chalo is a very versatile musician. It is possible to find him with his 5 piece explosive band touring around Europe, or mixing a Portuguese guitar from the traditional Fado with Angolan music in his trio project, or even on a tireless one man show, playing traditional Angolan guitar chords handled by syncopate and percussive complex rhythms, such as Semba – the precursor of Brazilian Samba – among other traditional urban Angolan styles like Massemba, Kilapanga, Rumba, Kazucuta, Kabetula and Rebita.
