Record Label | Shop | Distribution
22.00€
Out of stock
Portugal - envio desde 2,35€
Rest of the world - calculated at checkout
View shipping details
100% secure checkout
14-day hassle policy
We're here to help
In 1980, Colin Newman released his debut solo album “A-Z”, which, as the title suggests, offers up a wide spectrum of musical approaches and sees multiple envelopes being pushed. Now, for the first time, the album has been completely remastered, and is augmented with an additional disc of bonus tracks, including out-takes, alternate versions, B-sides, demos and home recordings.
“A-Z” picks up exactly where Wire’s classic first three albums left off. In fact, Colin Newman’s debut is one of post-punk’s great lost masterpieces, mixing slanted lyrics, fizzing analogue synths and Newman’s trademark angular guitar work. Highlights include the bass propelled stomp of album opener ‘I’ve Waited Ages’, which features heavily distorted guitar loops and some seriously bizarre lyrics which could give Spike Milligan a run for his money. Whilst the Syd Barrett on steroids mania of ‘S-S-S-Star Eyes’ sees Newman constructing a strangely catchy song from just one note, around which are woven numerous counter melodies.
Elsewhere, the melancholic and brooding ‘Alone’ (which has text by Wire’s Graham Lewis) propels itself into view with such majestic menace that it would later earn a well deserved place on the Silence of the Lambs soundtrack. Despite the unforced experimentation, tracks such as ‘Inventory’, with its brisk guitar and synth stylings, prove that Newman never lost touch with his ‘pop side’. As the NME review of the time so accurately observed, “A-Z” is “An album in which experiment and accessibility co-exist”.
“A-Z” shows Newman at the height of his powers, fashioning music which sounded utterly unlike anything else at the time. Or indeed since.
Sentient Sonics
Sentient Sonics
“A-Z” picks up exactly where Wire’s classic first three albums left off. In fact, Colin Newman’s debut is one of post-punk’s great lost masterpieces, mixing slanted lyrics, fizzing analogue synths and Newman’s trademark angular guitar work. Highlights include the bass propelled stomp of album opener ‘I’ve Waited Ages’, which features heavily distorted guitar loops and some seriously bizarre lyrics which could give Spike Milligan a run for his money. Whilst the Syd Barrett on steroids mania of ‘S-S-S-Star Eyes’ sees Newman constructing a strangely catchy song from just one note, around which are woven numerous counter melodies.
Elsewhere, the melancholic and brooding ‘Alone’ (which has text by Wire’s Graham Lewis) propels itself into view with such majestic menace that it would later earn a well deserved place on the Silence of the Lambs soundtrack. Despite the unforced experimentation, tracks such as ‘Inventory’, with its brisk guitar and synth stylings, prove that Newman never lost touch with his ‘pop side’. As the NME review of the time so accurately observed, “A-Z” is “An album in which experiment and accessibility co-exist”.
