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“All My Circles Run“, the fourth full length by Montreal-based electroacoustic composer, Sarah Davachi, is now reissued by the artists’ own label, Late Music.
In a move which may surprise followers of her previous output, the five compositions on this record eschew synthesizer entirely, each focusing on a different instrument, including strings, voice, organ and piano. What remains consistent however is the striking attention to detail and commitment to investigating tonal possibility that characterizes all of her work. The sinewy “For Strings” opens the album, with keening overtones stretching out in all directions to form a mass of slow moving, radiant sound. “For Voice” charts an even more celestial course, as wordless vocals ebb and flow to awe-inspiring effect. The stunning, melancholic “For Piano” closes the record and is something of a high watermark in Davachi’s oeuvre to date, with plaintive piano figures nestled atop a shimmering string drone to create a richly emotive, reverent atmosphere.
Ultimately, “All My Circles Run” was a confident step forward from an exciting artist whose compositional and aesthetic tendencies steer her steadfastly towards both the subjunctive and the sublime.
Late Music
Late Music
“All My Circles Run”, the fourth full length by Montreal-based electroacoustic composer, Sarah Davachi, is now reissued by the artists’ own label, Late Music.
In a move which may surprise followers of her previous output, the five compositions on this record eschew synthesizer entirely, each focusing on a different instrument, including strings, voice, organ and piano. What remains consistent however is the striking attention to detail and commitment to investigating tonal possibility that characterizes all of her work.
Ultimately, “All My Circles Run” was a confident step forward from an exciting artist whose compositional and aesthetic tendencies steer her steadfastly towards both the subjunctive and the sublime.
